Every look, on real footage.

BeforeFree

A modern daylight negative printed soft — the honest film look.

Before

Fast tungsten stock under mixed light: cyan shadows, creamy highlights.

Before

Gentle portrait negative — peach skin, pastel greens, soft contrast.

Before

Consumer gold film: sunny yellows, warm whites, punchy reds.

Before

Slide film snap: dense blues, rich primaries, deep blacks.

Before

Release-print contrast with cyan-green shadows and golden highlights.

Before

Out-of-date high-speed stock: magenta drift, lifted mud blacks.

Before

Classic black-and-white with red-filter skies and silky mids.

Before

Silver retained: crunchy contrast, metallic low saturation.

Before

Low-contrast cinema negative scanned flat and printed kind.

BeforeFree

The summer-tentpole split, kept honest on skin.

Before

Cold teal water, sodium-warm skin, muted everywhere else.

Before

Low sun, burnt orange highlights, deep teal shade.

Before

Action-movie steel: desaturated teal with crunchy contrast.

Before

Copper-warm everything, with just enough teal to separate.

Before

Mediterranean holiday: turquoise sea, tanned skin, bright air.

Before

Hot parking-lot afternoon: bleached highlights, cyan sky.

Before

Night-time teal & orange: firelight against cyan dark.

BeforeFree

Soft grey-day light, muted greens, quiet blue shadows.

Before

Scandinavian drama: cold, clean, desaturated and lifted.

Before

Near-monochrome graphite with a faint warm skin channel.

Before

Ashen palette with green-grey mids and crushed contrast.

Before

Deep blue-green, wet rock and cold water.

Before

Washed seaside haze: milky blacks, pale cyan, grey sand.

Before

Rich, low-key portraiture: deep warm blacks and glowing skin.

Before

Earthy olive greens and brown shadows — the woodland drama look.

Before

Indoor rainy-day blues, soft and desaturated.

BeforeFree

Old reversal postcard: saturated reds, mustard yellows, contrasty blues.

Before

Family home movies: amber whites, soft contrast, faded cyan.

Before

Seventies feature film: brown-gold, greenish shadows, low saturation.

Before

Instant-film softness: creamy highlights, cyan-cast shadows.

Before

Toned silent-film print, warm and soft.

Before

Slide developed as negative: yellow-green highs, blue shadows.

Before

Golden-age dye transfer: candy reds, clean primaries.

Before

A print left in the sun: magenta-red bias, cyan dye gone.

Before

Late-90s camcorder: hot whites, bleeding reds, video blacks.

BeforeFree

Removes the AI plastic: tames saturation and contrast, keeps colour true.

Before

Lifestyle brightness with pastel colour and soft whites.

Before

Fixes orange or pink AI skin and sits every face on the skin line.

Before

Crisp, saturated, clean-white product look.

Before

Golden-hour brand film warmth without the orange cast.

Before

SaaS-launch blue-white, clean and clinical.

Before

Appetising warmth: rich reds and yellows, clean neutrals.

Before

Open shadows, white walls and blue windows for property tours.

Before

Hand-painted summer meadow: soft cyan skies and lush yellow-greens.

Before

Cyberpunk magenta and cyan, everything else pushed out.

Before

Candy pastels and milky whites.

Before

Primary-colour graphic novel: hard contrast, inked blacks.

Before

Blue-ink duotone for title cards and music videos.

Before

False-colour infrared: foliage turns candy pink.

Before

Sick green cast, cold whites, digital dread.

Before

Mall-sunset purple, cyan and pink.

BeforeFree

Orange streetlight against deep cyan night.

Before

Glossy black wet streets, neon kept rich, skin kept human.

Before

Silver-blue moonlight with the colour drained out.

Before

Turns daylight shots into convincing night: underexposed, blue, low-sat.

Before

Sickly green-yellow city night, sodium and fluorescents.

Before

Electric cyan night with clean whites.

Before

Warm, glowing urban night — romantic not gritty.

Before

3am fluorescent: flat green-white, crushed blacks.

BeforePro · 4K

Tight, low-ISO 35mm grain. Barely there until you miss it.

BeforePro · 4K

Mid-speed 35mm negative grain — the default for AI footage.

BeforePro · 4K

Pushed two stops: chunky, alive, documentary grit.

BeforePro · 4K

Coarser 16mm structure for indie and music-video texture.

BeforePro · 4K

Reversal 16mm at high ISO — clumpy and colourful.

BeforePro · 4K

Big, soft Super 8 grain with frame-to-frame density flicker.

BeforePro · 4K

A few specks per second, like a clean print on its tenth run.

BeforePro · 4K

Well-travelled print: busy specks and fibres.

BeforePro · 4K

Running emulsion scratches that wander and drop out.

BeforePro · 4K

Gate hairs that linger plus scattered dust.

BeforePro · 4K

Warm amber spill from the right edge, slow and soft.

BeforePro · 4K

Deep red-orange burn rolling in from the right.

BeforePro · 4K

Orange to magenta flare that blooms then fades.

BeforePro · 4K

Cold cyan-blue leak for night and tech edits.

BeforePro · 4K

End-of-roll flash frames — a transition in one clip.

BeforePro · 4K

Rainbow prism smear across the bottom of frame.

BeforePro · 4K

Breathing red-orange edge bloom that mimics halation on bright frames.

BeforePro · 4K

Projector exposure flicker and breathing vignette.

BeforePro · 4K

Tracking bands, head-switch noise and snow along the bottom.

BeforePro · 4K

Interlace lines and chroma noise for a tape-dub texture.